What the RBG Biopic Is (and Isn’t) About

In July, when Focus Features began ramping up promotion for its forthcoming film On the Basis of Sex, many news sources reported that Felicity Jones would play a young Ruth Bader Ginsburg as she went to court in Weinberger v. Wiesenfeld. In that 1975 case, a father whose wife had died during childbirth fought for the Social Security survivor benefits that he needed to raise his son in her absence.

Weinberger v. Wiesenfeld challenged laws that were stuck in a pre-feminist past, one that made those benefits available to widows but not widowers, as if all marriages were between a man as breadwinner and a woman as homemaker — and only the latter would need to see an income replaced after a spouse’s death.


RBG understood early on that men, too, were hurt by gender discrimination.


It may be a fitting testament to Ginsburg’s role in many important gender discrimination cases that when those news sources looked for clues from a trailer and other promotional materials, they made a false match, concluding incorrectly that Weinberger v. Wiesenfeld would provide the plot for On the Basis of Sex. Vanity Fair, the Washington Post, and Teen Vogue were among the media companies that made the understandable mistake.

In an interview in February, Ginsburg herself had told Forward that the film would focus on another landmark case, Charles E. Moritz v. Commissioner of Internal Revenue. Focus Features confirmed as much when the need for corrections in other, later articles became apparent.

The Moritz and Weinberger cases have a lot of similarities. Both involved male plaintiffs who challenged laws that were based on antiquated ideas of gender roles, notions that were quickly becoming less relevant and less realistic as more women entered the workforce, often turning single-earner households into dual-earner households, and at other times becoming their household’s sole income-earner. Both cases deserve a look — even if it was only by accident that a Ginsburg biopic brought renewed attention to one of them. Continue reading

The Feminine Mystique in Retrospect: An Interview with Stephanie Coontz, Part 2

Last month we featured Part 1 of our interview with historian Stephanie Coontz about her book A Strange Stirring: The Feminine Mystique and American Women at the Dawn of the 1960s (Basic Books, 2012). A Strange Stirring looks at the history of Betty Friedan’s The Feminine Mystique, which has been widely regarded as one of the most influential books of the last century.


“Work is still organized on the assumption that every employee will have a wife at home to take care of life.”


Published 50 years ago in February of 1963, The Feminine Mystique was Friedan’s response to the unease and dissatisfaction that she learned was common among American housewives at the time. Friedan hypothesized that the root of their unhappiness was their confinement to domestic roles, which prevented them from finding meaning and identity outside of their roles as homemakers, partners, and caregivers. Entering the workforce and professions, Friedan believed, would provide them the fulfillment they were missing.

Although social conservatives blamed The Feminine Mystique for sowing marital discontent, that was never Friedan’s intention. As Stephanie Coontz explained in A Strange Stirring, Friedan’s book “made a point of not criticizing husbands for their wives’ unhappiness.” Instead, it suggested that “marriages would be happier when women no longer tried to meet all their needs through their assigned roles as wives and mothers.” In Part 1 of our interview, Coontz discussed the accuracy of Friedan’s insight, noting that “today divorce rates tend to be lowest in states where the highest percentage of wives are in the labor force. Marriages where men and women voluntarily share breadwinning and caregiving tend to be very high quality.” Continue reading